Wednesday, August 26, 2020

Potassium :: essays research papers fc

Potassium      Potassium is a crucial component in the human body. Potassium had never been recognized sodium until the eighteenth century. Before potassium was perceived as a component, potassium carbonate was blended in with creature fat to make cleanser. It was found by Sir Humphrey Davy in England, in 1807. Sir Davy had the option to seclude potassium utilizing electrolysis. Potassium was the principal metal separated by this system. Today, it is as yet not discovered free in nature. It is gotten by electrolysis of chloride or hydroxide.      Potassium is a strong gleaming white component. It is delicate and can be cut with a blade. Potassium is the least thick known metal, other than lithium. It is the seventh most plentiful component. It makes up about 1.5% by weight of the world's covering. It breaks down in water on account of the hydrogen. It as a rule finds fire during response with water.      Potassium is a fundamental part for plant development. Potassium is consumed by plants in bigger sums than most other mineral components. Potassium is provided to plants by soil minerals, natural materials, and inorganic manure. Potassium isn't found in natural mix with plant tissues. Potassium assumes a fundamental job in the metabolic procedures of plants. Potassium likewise is basic in starch digestion, a procedure by which vitality is acquired from sugar.      Potassium is one of the most significant components in human eating regimen. In any case, potassium works with sodium for different reasons. For instance, it assists with directing body squander, control heart rhythms, and help with lessening hypertension. It likewise helps in reliable discernment by sending oxygen to the mind. This component is urgent to the upkeep of the sensory system and the solid framework. Potassium is an electrolyte, and therefor directs the parity of liquids inside and outside the cells, including blood.      The human body needs potassium to work. The body may turn out to be shy of potassium as a rule. Unreasonable physical action, extreme instances of pressure, drinking of liquor or espresso all expend the potassium in the body leaving the individual with an inadequacy of the mineral. Because of this inadequacy serious uniform, muscle shortcoming, apprehensive clutters, heart failure, and poor reflexes can happen. An excess of potassium in the body may bring about lack of hydration. The kidneys can hold or dispose of a lot of potassium. Either extraordinary is perilous for the body.      If potassium is such a fundamental supplement to the human body it must be a mineral that can be found in an ordinary eating regimen.

Saturday, August 22, 2020

Dulce et Decorum est by Owen and The Charge of the Light Brigade by Tennyson Essay Example

Dulce et Decorum est by Owen and The Charge of the Light Brigade by Tennyson Essay Example Dulce et Decorum est by Owen and The Charge of the Light Brigade by Tennyson Essay Dulce et Decorum est by Owen and The Charge of the Light Brigade by Tennyson Essay Article Topic: Verse The two sonnets I will examine are 'Dulce et Decorum est by Owen and 'The Charge of the Light Brigade by Tennyson. Tennyson and Owen have altogether different perspectives on war, I feel that it is critical to take a gander at their explanations behind composing the sonnets, and their experiences. Tennyson was artist laureate, and along these lines a prominent figure, and expected to compose sonnets. He originated from a noble foundation, and had a higher-class family than Owen. He didn't see war for himself; he essentially read a paper article and composed his sonnet because of that. His data was optional, and consequently ubject to inclination, that was outside his ability to control. Owen had a very different childhood, he originated from a common laborers family, yet figured out how to go to college, which was abnormal around then, for average workers individuals. He was a warrior, and had direct understanding of the truth of war, so his data on which he based his sonnet was essential, and we can accept it was most likely significantly more consistent with the truth of war. Owen worked his sonnet out of a craving to convey the frightfulness of war to the individuals who despite everything accepted that it was sublime and respectable, as advanced by Tennysons sonnet. The two perspectives on war held by Tennyson and Owen couldn't be increasingly extraordinary. Tennyson accepts that the valiant and gallant ought to be associated with biting the dust in that war, then again Owen is resolved that not any more little youngsters be sent to some place as despicable as that, without knowing reality. He realizes that a ton of purposeful publicity is predominant, and wishes that they made up their own psyche about whether they need to battle, instead of be constrained, or pressured into something that they will lament. Tennyson uses an exacting mood and structure, while Owen utilizes various analogies and a much more slow speed, to typify his view of war. A large portion of a class, a large portion of an alliance, Half a group ahead, This cadence is set from the initial two lines and last until the finish of the sonnet. As I would like to think it mirrors the severe regimentation of the troopers, and the musicality of the ponies jogging towards their goal. It is intended to comprehend force and magnificence, ignoring the realities of the circumstance, that there was a horrible slaughter of the English armys best fighters. Twisted twofold, similar to old poor people under sacks, Owens sonnet is substantially more amusing, in that the sonnet is called 'Dulce et Decorum est which is Latin for 'it is sweet and fitting so he first line of the sonnet is a solid and stunning difference, in addition the title is exceptionally unexpected, as it was a serious basic saying at that point, and he has named his sonnet after it, and afterward proceeds to depict the monstrosities of war, the specific inverse of the title. His comparisons allegories are viable, and in this analogy he likewise utilizes similar sounding word usage, to underline the torment and enduring that the men persevered. The way that the British armed force were in this grave position was awful enough, however that they were 'like old hobos is a definitive disfavor to the military that was presumptuous enough to accept that they were top notch. This was powerful at the time he composed the sonnet. Tennyson uses illustrations, yet a minority in contrast with Owen, who utilizes numerous exceptionally compelling comparisons and similitudes. 'Thump kneed, hacking like witches, we reviled through ooze, Here Owen keeps on making a picture of the destruction of the strong armed force, and how poor they are presently. He thinks about them to 'witches, which infers witches and the grotesqueness of war, and what it has made of them. He utilizes the word 'we reminding the peruser that he was one of those officers, and that he realizes what is resembled to be in that circumstance, experiencing the hellfire that those fighters were languishing. The word 'muck gives the sentiment of gnawing cold, and thick soil that made in any event, strolling troublesome. Owen makes it extremely simple for us to envision the situation of these poor men. 'All in the valley of Death Rode the 600. Here Tennyson uses an allegory that is powerful all alone, but on the other hand is from the holy book, Psalm 23. This carries a strict point to the sonnet now, and that God is as an afterthought or the Light Brigade, against the foe. He the composes 'Rode the 600 which is rehashed all through the sonnet, and in truth there were increasingly similar to 700 and fifty men in the Light Brigade, yet Tennyson just decided to ay 600, perhaps to cause them to appear to be progressively brave on the grounds that there were less of them, or conceivably only for lovely permit, to keep the solid, throbbing cadence. Tennysons sonnet moves quickly, and doesn't harp on the results, where as Owen centers around the outcomes. Tennyson attempts to prepare excitement, without an idea for the truth of what's going on. ' 'Forward the Light Brigade! Charge for the weapons! he stated: Tennyson makes a picture of the Light Brigade moving toward their objective in an extremely directing and great charge, practically glorious in their height. The adrenaline surge that the officers were eeling was significant, to ensure that they didn't get disheartened, and the commanders would yell guidelines to keep them spurred and riveted in what they were doing, and that is the thing that Tennyson is expounding on here, the sheer assurance of the Light Brigade. His utilization of outcry marks passes on the environment of the charge to the peruser. 'Men walked sleeping. Many had lost their boots But limped on, blood-shod This symbolism utilizes a similitude in 'men walked snoozing and furthermore similar sounding word usage, to give the moderate trudging feel of the warriors strolling on in the horrendous conditions. Utilization of the words 'blood-shod s phenomenal symbolism as it has an implying that they were shod with blood and the comparability of sounds gives an upgraded mental picture of the scene that Owen was relating. Owens sonnet picks up pace when he discusses a gas assault, which diverges from the remainder of the sonnet, and Tennyson expounds quickly on the way that a mix-up had been made, however the officers continued, in any case. 'Gas! Gas! Brisk, young men! A delight of bobbling, fitting the ungainly head protectors without a moment to spare; Owen depicts the moderate trudging side to the war beforehand, and here complexities it to the outrageous with a gas assault that powers sew all vigorously. He utilizes capitals for the word 'Gas, demonstrating the unadulterated distress wherein they needed to spare themselves. Gas was one of the most shocking approaches to kick the bucket, and it was anything but a quick demise, so it was very dreaded among the officers, making this segment of the sonnet even more sensational and differentiating to its remainder. He utilizes the word 'euphoria, which is generally connected with delight, yet for this situation it is the 'bobbling, to put on their gas veils, which makes it even more observable and viable. Tennyson hints about the slip-ups of the commanders, and cap the fighters thought about it, however then he strengthens his point, of energy and steadfastness, paying little heed to the expense. Owen centers around one specific man, who is awful, and regards him as an individual, not the speculation of Tennyson. 'Also, struggling like a man in fire or lime Here Owen makes a scene of a man who had not fitted his gas cover in time, and is enduring the outcomes of the gas assault. He utilizes the word 'fumbling to depict the manner in which he is moving in this comparison, and gets the peruser to envision a man in fire or lime, an appalling enough picture in itself, yet that just portrays is development. Not however the trooper realized somebody had screwed up: Theirs not to make answer, Theirs not to motivation behind why, Theirs yet to do and kick the bucket: Tennyson gives a brief look at what had truly occurred in the fight, and that it was a sham, yet then backs it up with one of the best areas in the sonnet, where the redundancy of the 'Theirs not to and the mood of the entry accelerates the entire sonnet, into a comparable furor that the warriors would be worked into by the adrenaline of the fight. They had nothing to do with the requests back then, and to reply back to a predominant was inconceivable, you just ollowed your requests, and didn't address them. Tennyson uses reiteration again to show the chances looked by the daring officers, and how they pushed on notwithstanding. Owen describes his own perspective on what befell a genuine individual, which is exceptionally powerful as it gets the peruser to imagine the repugnance felt by different warriors, looking on this episode. Gun to one side of them, Cannon to one side of them, Cannon before them Volleyed and roared; Tennyson effectively emphasizes the critical scrape that the warriors are obliged to embrace. He utilizes the reiteration of the hrase, with a similar musicality to underline the feverish sentiment of the Light Brigade, as the ride towards their impressive adversary. 'Diminish through the cloudy sheets and thick green light, As under a green ocean, I saw him suffocating. Here Owen utilizes a comparison, at tha t point proceeds to utilize it as a similitude. He portrays the creepy shade of the gas as 'hazy sheets, and 'thick green light, which, joined with the way that he is in intense agony gives an unnerving and nerve racking record of the despicable way that men passed on in the war. The peruser gets the feeling that Owen feels remorseful and defenseless, everything he can do is be an observer, and ait for the pitiable man to kick the bucket. Owen utilizes shocking onomatopoeic language, among successful likenesses and similitudes. Tennyson discloses to the world the valiance and mental fortitude it took to do what they did. He plunges at me, guttering, stifling, suffocating. Owen determination of language is perfect for its goal, as he utilizes the word 'guttering, to depict the manner in which the man sounded before he kicked the bucket, and it does so amazingly. It is onomatopoeic, and exceptionally persuading that it was in truth the last 'plunge, of a withering man. He too

Tuesday, August 18, 2020

100 Books for People who Loved (and Miss) Sassy Magazine

100 Books for People who Loved (and Miss) Sassy Magazine If you’re a woman (or man, but mostly women) over a certain age, you likely remember Sassy magazine. It was sort of like the “anti-Seventeen.” Headed by Jane Pratt (who later created xojane), it was the alternative teen magazine in the late 80s-mid 90s. It featured girls of diverse ethnicities and body types in its photo shoots, ran articles about incest, suicide, armpit hair, smashing the patriarchy, bands like Nirvana (before they were a household name), and zines. They had an annual Sassiest Girl in America contest, and an annual reader-produced issue. They were sex-positive, body-positive, and whether you were a geek, misfit, jock, differently-abled anything; you could feel at home with Sassy. Here’s a round-up of books that reminded me of Sassy mag, or books I imagine a fellow Sassy-reader would love. Obviously, this is far from all-inclusive, and if you have your favorites, I’d love to hear about them. These are in no particular order, and I’ve notated fiction with an asterisk (*), and books that are forthcoming with two asterisks (**). * Zipper Mouth by Laurie Weeks: “In this extraordinary debut novel, Laurie Weeks captures the freedom and longing of life on the edge in New York City. Ranting letters to Judy Davis and Sylvia Plath, an unrequited fixation on a straight best friend, exalted nightclub epiphanies, devastating morning-after hangoversâ€"Zipper Mouth chronicles the exuberance and mortification of a junkie, and transcends the chaos of everyday life.” * How to Build a Girl by Caitlin Moran: “It’s 1990. Johanna Morrigan, fourteen, has shamed herself so badly on local TV that she decides that there’s no point in being Johanna anymore and reinvents herself as Dolly Wildeâ€"fast-talking, hard-drinking Gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writerâ€"like Jo in Little Women, or the Bröntesâ€"but without the dying young bit.” Sex Object: A Memoir by Jessica Valenti: “Valenti explores the toll that sexism takes on women’s lives, from the everyday to the existential. From subway gropings and imposter syndrome to sexual awakenings and motherhood,  Sex Objectreveals the painful, embarrassing, and sometimes illegal moments that shaped Valenti’s adolescence and young adulthood in New York City. The Geek Feminist Revolution: Essays by Kameron Hurley: “The book collects dozens of Hurleys essays on feminism, geek culture, and her experiences and insights as a genre writer, including We Have Always Fought, which won the 2013 Hugo for Best Related Work.” ** When Dimple Met Rishi by Sandhya Menon: “A laugh-out-loud, heartfelt YA romantic comedy, told in alternating perspectives, about two Indian-American teens whose parents have arranged for them to be married.” Milk and Honey by Rupi Kaur: This book of poetry is a small package of brilliance; gorgeous words and writing about femininity, trauma, love, loss, and rebuilding. Bad Feminist: Essays by Roxane Gay: “In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.” * The Hate U Give by Angie Thomas: Some people call this “the Black Lives Matter book.” A vivid, much-needed story about unnecessary police violence and the lives it destroys. * Girl by Blake Nelson: “Meet Andrea Marr, straight-A high school student, thrift-store addict, and princess of the downtown music scene. Andrea is about to experience her first love, first time, and first step outside the comfort zone of high school, with the help of indie rock band The Color Green.” * Girls on Fire by Robin Wasserman: “By turns a shocking story of love and violence and an addictive portrait of the intoxication of female friendship, set against the unsettled backdrop of a town gripped by moral panic, Girls on Fire is an unflinching and unforgettable snapshot of girlhood: girls lost and found, girls strong and weak, girls who burn bright and brighterâ€"and some who flicker away.” Sister Outsider: Essays and Speeches by Audre Lorde: “Presenting the essential writings of black lesbian poet and feminist writer Audre Lorde, SISTER OUTSIDER celebrates an influential voice in twentieth-century literature. In this charged collection of fifteen essays and speeches, Lorde takes on sexism, racism, ageism, homophobia, and class, and propounds social difference as a vehicle for action and change. Her prose is incisive, unflinching, and lyrical, reflecting struggle but ultimately offering messages of hope.” ** Geekerella: A Fangirl Fairy Tale by Ashley Poston: “Part romance, part love letter to nerd culture, and all totally adorbs, Geekerella is a fairy tale  for anyone who believes in the magic of fandom.” The Feminist Utopia Project: Fifty-Seven Visions of a Wildly Better Future by Alexandra Brodsky and Rachel Kauder Nalebuff: “Combining essays, interviews, poetry, illustrations, and short stories, The Feminist Utopia Project challenges the status quo that accepts inequality and violence as a givenâ€"and inspires us to demand a radically better future.” How Sassy Changed My Life: A Love Letter to the Greatest Teen Magazine of All Time by Kara Jesella and Marissa Meltzer: “How Sassy Changed My Life will present for the first time the inside story of the magazines rise and fall while celebrating its unique vision and lasting impact. Through interviews with the staff, columnists, and favorite personalities we are brought behind the scenes from its launch to its final issue and witness its unique fusion of feminism and femininity, its frank commentary on taboo topics like teen sex and suicide, its battles with advertisers and the religious right, and the ascension of its writers from anonymous staffers to celebrities in their own right.” Girl Power: Young Women Speak Out! by Hillary Carlip: “Carlip illuminates the worries, hopes, dreams and experiences of girls ages 13 to 19, through their stories, poems, letters and notes. Their voices come from a variety of backgrounds and perspectivescowgals, lesbians, teen mothers, sorority sisters and girls in gangsand reveal the depth, vulnerability, wisdom and power of the writers.” Hunger Makes Me a Modern Girl by Carrie Brownstein: “With deft, lucid prose Brownstein proves herself as formidable on the page as on the stage. Accessibly raw, honest and heartfelt, this book captures the experience of being a young woman, a born performer and an outsider, and ultimately finding one’s true calling through hard work, courage and the intoxicating power of rock and roll.” * Violet Claire by Francesca Lia Block: “This is the story of two girls, racing through space like shadow and light. A photo negative, together they make the perfect image of a girl. Violet is the dark one, dressed in forever black, dreaming Technicolor dreams of spinning the world into her very own silver screen creation. Claire is like a real-life Tinker Bell, radiating love and light, dressing herself in wings of gauze and glitter, writing poems to keep away the darkness. The setting is L.A., a city as beautiful as it is dangerous, and within this landscape of beauty and pain Violet and Claire vow to make their own movie. Together they will show the world the way they want it to be, and maybe then the world will become that placea place where people no longer hate or fight or want to hurt. But when desire and ambition threaten to rip a seamless friendship apart, only one thing can make two halves whole againthe power of love.” * Gabi, A Girl in Pieces by Isabel Quintero: “Gabi Hernandez chronicles her last year in high school in her diary: college applications, Cindys pregnancy, Sebastians coming out, the cute boys, her fathers meth habit, and the food she craves. And best of all, the poetry that helps forge her identity.” Honor Girl: A Graphic Memoir by Maggie Thrash: “Maggie Thrash has spent basically every summer of her fifteen-year-old life at the one-hundred-year-old Camp Bellflower for Girls, set deep in the heart of Appalachia. She’s from Atlanta, she’s never kissed a guy, she’s into Backstreet Boys in a really deep way, and her long summer days are full of a pleasant, peaceful nothing . . . until one confounding moment.” Citizen: An American Lyric by Claudia Rankine: “Claudia Rankines bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a persons ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named post-race society.” * Lizard Radio by Pat Schmatz: “Fifteen-year-old bender Kivali has had a rough time in a gender-rigid culture. Abandoned as a baby and raised by Sheila, an ardent nonconformist, Kivali has always been surrounded by uncertainty. Where did she come from? Is it true what Sheila says, that she was deposited on Earth by the mysterious saurians? What are you? people ask, and Kivali isn’t sure. Boy/girl? Human/lizard? Both/neither?” In Her Own Sweet Time: Egg Freezing and the New Frontiers of Family (2nd Ed) by Rachel Lehman-Haupt: “This trailblazing memoir examines the trials?and modern scientific solutions?of balancing career and love with the realities of reproductive timing. Women are making massive strides in gender equality, edging out men as the new majority in the workforce. But, because of their brief window for childbearing, this also means a drastically shifting paradigm for motherhood and family planning. In this 2nd edition, Lehmann-Haupt has updated the inspiring, honest account of her own efforts to reconcile modern love and modern life with the latest medical research.” Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie-Girl Culture by Peggy Orenstein: “The rise of the girlie-girl, warns Peggy Orenstein, is no innocent phenomenon. Following her acclaimed books Flux, Schoolgirls, and the provocative New York Times bestseller Waiting for Daisy, Orenstein’s Cinderella Ate My Daughter offers a radical, timely wake-up call for parents, revealing the dark side of a pretty and pink culture confronting girls at every turn as they grow into adults.” * Dumplin’ by Julie Murphy: “Dubbed “Dumplin’” by her former beauty queen mom, Willowdean has always been at home in her own skin. Her thoughts on having the ultimate bikini body? Put a bikini on your body. With her all-American beauty best friend, Ellen, by her side, things have always workeduntil  Will takes a job at Harpy’s, the local fast-food joint. There she meets Private School Bo, a hot former jock. Will isn’t surprised to find herself attracted to Bo. But she  issurprised when he seems to like her back. Instead of finding new heights of self-assurance in her relationship with Bo, Will starts to doubt herself.  So she sets out to take back her confidence by doing  the most horrifying thing she can imagine: entering the Miss Clover City beauty pageantâ€"along with several other unlikely candidatesâ€"to show the world that she deserves to be up there as much as any girl does.” Yes Means Yes!: Visions of Female Sexual Power and A World Without Rape by Jaclyn Friedman and Jessica Valenti: “Yes Means Yes aims to have radical and far-reaching effects: from teaching men to treat women as collaborators and not conquests, encouraging men and women that women can enjoy sex instead of being shamed for it, and ultimately, that our children can inherit a world where rape is rare and swiftly punished.” * Dora: A Headcase by Lidia Yuknavitch: “Dora: A Headcase is a contemporary coming-of-age story based on Freud’s famous case studyâ€"retold and revamped through Doras point of view, with shotgun blasts of dark humor and sexual play.” ** Moxie by Jennifer Mathieu: “Vivs mom was a tough-as-nails, punk rock Riot Grrrl in the 90s, and now Viv takes a page from her mothers past and creates a feminist zine that she distributes anonymously to her classmates. Shes just blowing off steam, but other girls respond. As Viv forges friendships with other young women across the divides of cliques and popularity rankings, she realizes that what she has started is nothing short of a girl revolution.” Shrill: Notes from a Loud Woman by Lindy West: “Coming of age in a culture that demands women be as small, quiet, and compliant as possiblelike a porcelain dove that will also have sex with youwriter and humorist Lindy West quickly discovered that she was anything but. From a painfully shy childhood in which she tried, unsuccessfully, to hide her big body and even bigger opinions; to her public war with stand-up comedians over rape jokes; to her struggle to convince herself, and then the world, that fat people have value; to her accidental activism and never-ending battle royale with Internet trolls, Lindy narrates her life with a blend of humor and pathos that manages to make a trip to the abortion clinic funny and wring tears out of a story about diarrhea.” Just Kids by Patti Smith: “An honest and moving story of youth and friendship, Smith brings the same unique, lyrical quality to Just Kids as she has to the rest of her formidable body of workâ€"from her influential 1975 album Horses to her visual art and poetry.” Come As You Are by Emily Nagoski: “Researchers have spent the last decade trying to develop a “pink pill” for women to function like Viagra does for men. So where is it? Well, for reasons this book makes crystal clear, that pill will never be the answerâ€"but as a result of the research that’s gone into it, scientists in the last few years have learned more about how women’s sexuality works than we ever thought possible, and Come as You Are explains it all.” * The DUFF by Kody Keplinger: “Seventeen-year-old Bianca Piper may not be the prettiest girl in her high school, but she has a loyal group of friends, a biting wit, and a spot-on BS detector. Shes also way too smart to fall for the charms of man-slut and slimy school hottie Wesley Rush, who calls Bianca the Duffthe designated ugly fat friendof her crew. But things arent so great at home and Bianca, desperate for a distraction, ends up kissing Wesley. Worse, she likes it. Eager for escape, Bianca throws herself into a closeted enemies-with-benefits relationship with him. Until it all goes horribly awry. It turns out Wesley isnt such a bad listener, and his life is pretty screwed up, too. Suddenly Bianca realizes with absolute horror that shes falling for the guy she thought she hated more than anyone.” * Queens of Geek by Jen Wilde: “Charlie likes to stand out. She’s a vlogger and actress promoting her first movie at SupaCon, and this is her chance to show fans she’s over her public breakup with co-star Reese Ryan. When internetfamous cool-girl actress Alyssa Huntington arrives as a surprise guest, it seems Charlie’s long-time crush on her isn’t as one-sided as she thought. Taylor likes to blend in. Her brain is wired differently, making her fear change. And there’s one thing in her life she knows will never change: her friendship with her best guy friend Jamie?no matter how much she may secretly want it to. But when she hears about a fan contest for her favorite fandom, she starts to rethink her rules on playing it safe. We Were Feminists Once by Andi Zeisler: a founding editor of Bitch Media, draws on more than twenty years experience interpreting popular culture in this biting history of how feminism has been co-opted, watered down, and turned into a gyratory media trend. Surveying movies, television, advertising, fashion, and more, Zeisler reveals a media landscape brimming with the language of empowerment, but offering little in the way of transformational change.” Girl in a Band: A Memoir by Kim Gordon: “Gordon takes us back to the lost New York of the 1980s and 90s that gave rise to Sonic Youth, and the Alternative revolution in popular music. The band helped build a vocabulary of musicâ€"paving the way for Nirvana, Hole, Smashing Pumpkins and many other acts. But at its core, Girl in a Band examines the route from girl to woman in uncharted territory, music, art career, what partnership meansâ€"and what happens when that identity dissolves.” Crafting with Feminism: 25 Girl-Powered Projects to Smash the Patriarchy by Bonnie Burton: “This is what a feminist crafter looks like! Crafting with Feminism features 25 irreverent and easy-to-make projects that celebrate everything that rocks about girls, gals, and badass women. Wear your ideology on your sleeve by creating fierce custom merit badges. Prove that the political is personal with DIY power panties. Get cozy with a handmade Huggable Uterus Body Pillow, or craft heroine finger puppets to honor great women like Ruth Bader Ginsburg, Frida Kahlo, and bell hooks. Featuring tips on everything from beginner sewing stitches to building a kickin’ party playlist, and a totally empowering forward from “Queen of Geeks” Felicia Day, this book has everything you need for an awesome crafternoon.” A Body, Undone: Living On After Great Pain by Christina Crosby: “In A Body, Undone, Crosby puts into words a broken body that seems beyond the reach of language and understanding. She writes about a body shot through with neurological pain, disoriented in time and space, incapacitated by paralysis and deadened sensation. To address this foreign body, she calls upon the readerly pleasures of narrative, critical feminist and queer thinking, and the concentrated language of lyric poetry. Working with these resources, she recalls her 1950s tomboy ways in small-town, rural Pennsylvania, and records growing into the 1970s through radical feminism and the affirmations of gay liberation.” Stitch n’ Bitch: The Knitter’s Handbook by Debbie Stoller: “In Stitch n Bitch, Debbie Stoller-founder of the first Stitch n Bitch knitting group in New York City-covers every aspect of knitting and the knitting-together lifestyle: the how-to, the when-to, the what-to, the why-to. Writing with wit and attitude (The Knitty-Gritty, Blocking for Blockheads), she explains the different types of needles and yarns (and sheep, too) and all the techniques from basic to fancy, knit to purl to cast-off. She also shares her special brand of corrective surgery for when things go wrong, and offers fun and informative sidebars on such topics as how to find the best yarn for less, how to make a buttonhole, knitting etiquette, and what tools to keep in your knitting bag.” May Cause Love: An Unexpected Journey of Enlightenment after Abortion by Kassi Underwood: “At age nineteen, Kassi Underwood discovered she was pregnant. Broke, unwed, struggling with alcohol, and living a thousand miles away from home, she checked into an abortion clinic. While her abortion sparked her “feminist awakening,” she also felt lost and lawless, drinking to oblivion and talking about her pregnancy with her parents, her friends, strangers-anyone. Three years later, just when she had settled into a sober life at her dream job, the ex-boyfriend with whom she had become pregnant had a baby with someone else. She shattered. In the depths of a blinding depression, Kassi refused to believe that she would “never get over” her abortion. Inspired by rebellious women in history who used spiritual practices to attain emotional freedom, Kassi embarked on a journey of recovery after abortion…” * The Education of Margot Sanchez by Lilliam Rivera: “Pretty in Pink comes to the South Bronx in this bold and romantic coming-of-age novel about dysfunctional families, good and bad choices, and finding the courage to question everything you ever thought you wantedâ€"from debut author Lilliam Rivera.” You Can’t Touch My Hair: And Other Things I Still Have to Explain by Phoebe Robinson: “Using her trademark wit alongside pop-culture references galore, Robinson explores everything from why Lisa Bonet is Queen. Bae. Jesus, to breaking down the terrible nature of casting calls, to giving her less-than-traditional advice to the future female president, and demanding that the NFL clean up its act, all told in the same conversational voice that launched her podcast, 2 Dope Queens, to the top spot on iTunes.” Excluded: Making Feminist and Queer Movements More Inclusive by Julia Serrano: “As a trans woman, bisexual, and femme activist, Julia Serano has spent much of the last ten years challenging various forms of exclusion within feminist and queer/LGBTQ movements. In Excluded, she chronicles many of these instances of exclusion and argues that marginalizing others often stems from a handful of assumptions that are routinely made about gender and sexuality. These false assumptions infect theories, activism, organizations, and communitiesâ€"and worse, they enable people to vigorously protest certain forms of sexism while simultaneously ignoring and even perpetuating others. Serano advocates for a new approach to fighting sexism that avoids these pitfalls and offers new ways of thinking about gender, sexuality, and sexism that foster inclusivity rather than exclusivity.” The Essential Hip Mama: Writing from the Cutting Edge of Parenting by Ariel Gore: “The Essential Hip Mama captures the heart of a decade’s worth of earthy, honest, soulful parentingâ€"and topics from circumcision to dating, abortion to the belief that mothers don’t fart. Gore has gathered in one volume the whispers and conversations heard in homes, on playgrounds, and in coffeehouses around the country.” Pussy Riot!: A Punk Prayer for Freedom by Pussy Riot: “On February 21, 2012, five members of a Russian feminist punk collective Pussy Riot staged a performance in the Cathedral of Christ the Savior in Moscow. Dressed in brightly colored tights and balaclavas, they performed their punk prayer, asking the Virgin Mary to drive out Russian president Vladimir Putin from the church. After just forty seconds, they were chased out by security. Three members of the collective, Maria Alyokhina, Nadezhda Tolokonnikova, and Yekaterina Samutsevich, known as Masha, Nadya, and Katya, were later arrested and charged with felony hooliganism motivated by religious hatred. As their trial unfolded, these young women became global feminist icons, garnering the attention and support of activists and artists around the world.” ** Double Bind: Women on Ambition by Robin Romm: “Even as toweringly successful women from Gloria Steinem to Beyoncé embrace the word feminism, the word ambition, for many, remains loaded with ambivalence. Women who are naturally driven and goal-oriented shy away from it. They’re loath to see themselves?or be seen by others?as aggressive or, worst of all, as a bitch. Double Bind could not come at a more urgent time, a necessary collection that explodes this conflict, examining the concept of female ambition from every angle in essays full of insight, wisdom, humor, and rage.” * Done Dirt Cheap by Sarah Lemon: “Tourmaline Harris’s life hit pause at fifteen, when her mom went to prison because of Tourmaline’s unintentionally damning testimony. But at eighteen, her home life is stable, and she has a strong relationship with her father, the president of a local biker club known as the Wardens. Virginia Campbell’s life hit fast-forward at fifteen, when her mom “sold” her into the services of Hazard, a powerful attorney: a man for whom the law is merely a suggestion. When Hazard sets his sights on dismantling the Wardens, he sends in Virginia, who has every intention of selling out the clubâ€"and Tourmaline.  But the two girls are stronger than the circumstances that brought them together, and their resilience defines the friendship at the heart of this powerful debut novel.” How to Grow Up: A Memoir by Michelle Tea: “In  How to Grow Up, Tea shares her awkward stumble towards the life of a Bona Fide Grown-Up: healthy, responsible, self-aware, and stable. She writes about passion, about her fraught relationship with money, about adoring Barney’s while shopping at thrift stores, about breakups and the fertile ground between relationships, about roommates and rent, and about being superstitious (“why not, it imbues this harsh world of ours with a bit of magic”).” * Anya’s Ghost by Vera Brosgol: “Anya could really use a friend. But her new BFF isnt kidding about the forever part . . . Of all the things Anya expected to find at the bottom of an old well, a new friend was not one of them. Especially not a new friend whos been dead for a century. Falling down a well is bad enough, but Anyas normal life might actually be worse. Shes embarrassed by her family, self-conscious about her body, and shes pretty much given up on fitting in at school. A new friend?even a ghost?is just what she needs. Or so she thinks.” Rat Girl: A Memoir by Kristin Hersh: “In 1985, Kristin Hersh was just starting to find her place in the world. After leaving home at the age of fifteen, the precocious child of unconventional hippies had enrolled in college while her band, Throwing Muses, was getting off the ground amid rumors of a major label deal. Then everything changed: she was diagnosed with bipolar disorder and found herself in an emotional tailspin; she started medication, but then discovered she was pregnant. An intensely personal and moving account of that pivotal year, Rat Girl is sure to be greeted eagerly by Hershs many fans.” Fury: True Tales of a Good Girl Gone Ballistic by Koren Zailckas. “Without alcohol to blur her perspective, Koren finds that her good-girl personality is nothing more than a shroud for unacknowledged anger with the potential to wreak havoc on her life. A sophisticated and deeply personal chronicle, Fury hits a cultural nerve. Blazing a trail toward a healthy, empowered identity, Zailckas will astonish and free a generation of young women.” * Downer’s Grove by Michael Hornburg: “Downers Grove is the haunting and tender story of Chrissie Swanson, a paranoid high school senior for whom graduating has become a matter of life or death. Shes an unusual girl in an ordinary town. Her mothers sex life is overshadowing her own; her brother is aboard his own private Enterprise, slipping into one black hole after another; her best friend is hornier than a Prince song; leaving her eccentric grandmother as the only source of wisdom in a rapid downward spiral. As Chrissie tries to take control of the events that shape her life, she finds the events beginning to take control of her, until she is finally cornered by choices with everlasting consequences.” * Paper Girls, Volume 1 by Brian K. Vaughn and Cliff Chiang: “In the early hours after Halloween of 1988, four 12-year-old newspaper delivery girls uncover the most important story of all time. Suburban drama and otherworldly mysteries collide in this smash-hit series about nostalgia, first jobs, and the last days of childhood.” ** What Girls Are Made Of by Elana K. Arnold: “When Nina Faye was fourteen, her mother told her there was no such thing as unconditional love. Nina believed her. Now shell do anything for the boy she loves, to prove shes worthy of him. But when he breaks up with her, Nina is lost. What is she if not a girlfriend? What is she made of? Broken-hearted, Nina tries to figure out what the conditions of love are.” Negroland: A Memoir by Margo Jefferson: “At once incendiary and icy, mischievous and provocative, celebratory and elegiac, Negroland is a landmark work on privilege, discrimination, and the fallacy of post-racial America.” The Feminist Activity Book by Gemma Correll: “The Feminist Activity Book has everything you need to usher in an era of colorful and intersectional joy. Featuring such activities as Feminist All-Star Trading Cards, Destroy the Page-Triarchy, Sexist Social Media Bingo, and A Feminist ABC, The Feminist Activity Book will fuel your feminist rage, remind you to laugh once in awhile, and bring you one step closer to an egalitarian utopia, or whatever.” ** Post Grad: Five Women and Their First Year Out of College by Caroline Kitchener: “What really happens in the first year out of college? When Caroline Kitchener graduated from Princeton, she began shadowing four of her female classmates, interviewing them as they started to navigate the murky waters of post-collegiate life. Weaving together her own experience as a writer with the experiences of these other womenâ€"a documentarian, a singer, a programmer, and an aspiring doctorâ€"Kitchener delves deeply into the personal and professional opportunities offered to female college graduates, and how the world perceives them.” I’m Judging You: The Do-Better Manual by Luvvie Ajayi: “…Luvvie Ajayi is a go-to source for smart takes on pop culture. Im Judging You is her debut book of humorous essays that dissects our cultural obsessions and calls out bad behavior in our increasingly digital, connected lives. It passes on lessons and side-eyes on life, social media, culture, and fame, from addressing those terrible friends we all have to serious discussions of race and media representation to what to do about your fool cousin sharing casket pictures from Grandmas wake on Facebook.” Here We Are: Feminism for the Real World by Kelly Jensen: Even if she weren’t a fellow Rioter, I’d put this on the list. Jensen compiled 44 of the coolest people to talk about feminism today â€" it’s sort of like a scrapbook of awesomeness. * Zazen by Vanessa Veselka: “Somewhere in Della’s consumptive, industrial wasteland of a city, a bomb goes off. It is not the first, and will not be the last. Reactions to the attacks are polarized. Police activity intensifies. Della’s revolutionary parents welcome the upheaval but are trapped within their own insular beliefs. Her activist restaurant co-workers, who would rather change their identities than the world around them, resume a shallow rebellion of hair-dye, sex parties, and self-absorption. As those bombs keep inching closer, thudding deep and real between the sounds of katydids fluttering in the still of the city night, and the destruction begins to excite her. What begins as terror threats called in to greasy bro-bars across the block boils over into a desperate plot, intoxicating and captivating Della and leaving her little chance for escape.” * The First Bad Man by Miranda July: “…Miranda July tells the story of Cheryl, a vulnerable, uptight woman in her early forties who lives alone, with a perpetual lump in her throat, unable to cry. Cheryl is haunted by a baby boy she met when she was six; she also believes she has a profound connection with Phillip, a philandering board member at Open Palm, the women’s self-defense studio where she has worked for twenty years. When Cheryl’s bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl’s eccentrically ordered world explodes. And yet it is Cleeâ€"the selfish, cruel blond bombshellâ€"who teaches Cheryl what it means to love and be loved and, inadvertently, provides the solace of a lifetime.” * You’re Welcome, Universe by Whitney Gardner: “When Julia finds a slur about her best friend scrawled across the back of the Kingston School for the Deaf, she covers it up with a beautiful (albeit illegal) graffiti mural. Her supposed best friend snitches, the principal expels her, and her two mothers set Julia up with a one-way ticket to a “mainstream” school in the suburbs, where she’s treated like an outcast as the only deaf student. The last thing she has left is her art, and not even Banksy himself could convince her to give that up.” Gender Outlaws: The Next Generation by Kate Bornstein and S. Bear Bergman: “…Bornstein, together with writer, raconteur, and theater artist S. Bear Bergman, collects and contextualizes the work of this generations trans and genderqueer forward thinkers â€" new voices from the stage, on the streets, in the workplace, in the bedroom, and on the pages and websites of the worlds most respected mainstream news sources. Gender Outlaws includes essays, commentary, comic art, and conversations from a diverse group of trans-spectrum people who live and believe in barrier-breaking lives.” Breeder: Real-Life Stories from the New Generation of Mothers by Ariel Gore and Bee Lavender: “In this ground-breaking anthology, Ariel Gore and Bee Lavender ask real moms â€" from Web site designers to tattoo-clad waitresses â€" to laugh, cry, scream, and shout about motherhood.” Whip Smart: The True Story of a Secret Life by Melissa Febos: “While a college student at The New School, Melissa Febos spent four years working as a dominatrix in a midtown dungeon. In poetic, nuanced prose she charts how unchecked risk-taking eventually gave way to a course of self-destruction. But as she recounts crossing over the very boundaries that she set for her own safety, she never plays the victim. In fact, the glory of this memoir is Melissas ability to illuminate the strange and powerful truths that she learned as she found her way out of a hell of her own making.” Carry this Book by Abbi Jacobson: “With bright, quirky, and colorful line drawings, Jacobson brings to life actual and imagined items found in the pockets and purses, bags and glove compartments of real and fantastical peopleâ€"whether it’s the contents of Oprah’s favorite purse, Amelia Earhart’s pencil case, or Bernie Madoff’s suitcase. “ * Jesus’ Son by Denis Johnson: “Jesus Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiraling grief and transcendence, of rock bottom and redemption, of getting lost and found and lost again. The raw beauty and careening energy of Denis Johnsons prose has earned this book a place among the classics of twentieth-century American literature.” * Anthropology of an American Girl: A Novel by Hilary Thayer Hamann: “This is what it’s like to be a high-school-age girl. To forsake the boyfriend you once adored. To meet the love of your life, who just happens to be your teacher. To discover for the first time the power of your body and mind. This is what it’s like to be a college-age woman. To live through heartbreak. To suffer the consequences of your choices. To depend on others for survival but to have no one to trust but yourself.” The Superfun Times Vegan Holiday Cookbook by Issa Chandra Moskowitz: “Gone are the days of stressing over how to please family and friends with different dietary needs. Bursting with knock-your-socks-off, mind-bogglingly tasty vegan recipes for Cinnamon Apple Crepes, Cheeseburger Pizza, Biscuits and Gravy, Churro Biscotti, and so much more, The Superfun Times Vegan Holiday Cookbook will make everyone at your table happy-even meat eaters and the gluten challenged.” Girl Zines: Making Media, Doing Feminism by Alison Piepmeier: “With names like The East Village Inky, Mend My Dress, Dear Stepdad, and I’m So Fucking Beautiful, zines created by girls and women over the past two decades make feminism’s third wave visible. These messy, photocopied do-it-yourself documents cover every imaginable subject matter and are loaded with handwriting, collage art, stickers, and glitter. Though they all reflect the personal style of the creators, they are also sites for constructing narratives, identities, and communities.” **   Bitch Doctrine: Essays for Dissenting Adults by Laurie Penny: “Smart and provocative, witty and uncompromising, this collection of Laurie Pennys celebrated essays establishes her as one of the most important and vibrant feminist voices of our time. From the shock of Donald Trumps election and the victories of the far right to online harassment and the transgender rights movement, this darkly humorous collection is an unflinching look at the definitive issues of our age.” Dirty River: A Queer Femme of Color Dreaming her Way Home by Leah Lakshmi Piepzna-Samarasinha: “In 1996, poet Leah Lakshmi Piepzna-Samarasinha ran away from America with two backpacks and ended up in Canada, where she discovered queer anarchopunk love and revolution, yet remained haunted by the reasons she left home in the first place. This passionate and riveting memoir is a mixtape of dreams and nightmares, of immigration court lineups and queer South Asian dance nights; it reveals how a disabled queer woman of color and abuse survivor navigates the dirty river of the past and, as the subtitle suggests, ‘dreams her way home.’ “ Revolutionary Mothering: Love on the Front Lines by Alexis Pauline Gumbs: “[This] is an anthology that centers mothers of color and marginalized mothers’ voicesâ€"women who are in a world of necessary transformation. The challenges faced by movements working for antiviolence, anti-imperialist, and queer liberation, as well as racial, economic, reproductive, gender, and food justice are the same challenges that marginalized mothers face every day. Motivated to create spaces for this discourse because of the authors’ passionate belief in the power of a radical conversation about mothering, they have become the go-to people for cutting-edge inspired work on this topic for an overlapping committed audience of activists, scholars, and writers. Revolutionary Mothering is a movement-shifting anthology committed to birthing new worlds, full of faith and hope for what we can raise up together.” * Lumberjanes: Volume 1: Beware the Kitten Holy by Noelle Stevenson and Grace Ellis: “Friendship to the max! Jo, April, Mal, Molly and Ripley are five best pals determined to have an awesome summer togetherand they’re not gonna let any insane quest or an array of supernatural critters get in their way! Not only is it the second title launching in our new BOOM! Box imprint but LUMBERJANES is one of those punk rock, love-everything-about-it stories that appeals to fans of basically all excellent things. It’s Buffy the Vampire Slayer meets Gravity Falls and features five butt-kicking, rad teenage girls wailing on monsters and solving a mystery with the whole world at stake.” * Inferno: A Poet’s Novel by Eileen Myles: “Her story of a young female writer, discovering both her sexuality and her own creative drive in the meditative and raucous environment that was New York City in its punk and indie heyday, is engrossing, poignant, and funny. This is a voice from the underground that redefines the meaning of the word.” Girl Power: The Nineties Revolution in Music by Marisa Meltzer: “[This book] examines the role of women in rock since the riot grrrl revolution, weaving Meltzers personal anecdotes with interviews with key players such as Tobi Vail from Bikini Kill and Amy Ray of the Indigo Girls. Chronicling the legacy of artists such as Bratmobile, Sleater-Kinney, Alanis Morissette, Britney Spears, and, yes, the Spice Girls, Girl Power points the way for the future of women in rock.” Cinderella’s Big Score: Women of the Punk and Indie Underground by Maria Raha: “[This book] celebrates the contributions of punk’s oft-overlooked female artists, explores the latentâ€"and not so latentâ€"sexism of indie rock (so often thought of as the hallowed ground of progressive movements), and tells the story of how these women created spaces for themselves in a sometimes limited or exclusionary environment. The indie music world is littered with females who have not only withstood the racket of punk’s intolerance, but have twisted our societal notions of femininity in knots.” Her: A Memoir by Christa Parravani: A beautiful, insightful memoir of a lost twin and the downward spiral and journey back up to the living of the remaining twin. * Signal to Noise by Silvia Moreno-Garcia: “Mexico City, 1988: Long before iTunes or MP3s, you said “I love you” with a mixtape. Meche, awkward and fifteen, has two equally unhip friends Sebastian and Daniela and a whole lot of vinyl records to keep her company. When she discovers how to cast spells using music, the future looks brighter for the trio. With help from this newfound magic, the three friends will piece together their broken families, change their status as non-entities, and maybe even find love Mexico City, 2009: Two decades after abandoning the metropolis, Meche returns for her estranged father’s funeral. It’s hard enough to cope with her family, but then she runs into Sebastian, and it revives memories from her childhood she thought she buried a long time ago. What really happened back then? What precipitated the bitter falling out with her father? And, is there any magic left?” Colonize This: Young Women of Color on Today’s Feminism by Daisy Hernandez: “Daisy Hernandez of Ms. magazine and poet Bushra Rehman have collected a diverse, lively group of emerging writers who speak to their experienceâ€"to the strength and rigidity of community and religion, to borders and divisions, both internal and externalâ€"and address issues that take feminism into the twenty-first century.” The Complete Persepolis by Marjane Satrapi: “[This] is the story of Satrapis unforgettable childhood and coming of age within a large and loving family in Tehran during the Islamic Revolution; of the contradictions between private life and public life in a country plagued by political upheaval; of her high school years in Vienna facing the trials of adolescence far from her family; of her homecomingboth sweet and terrible; and, finally, of her self-imposed exile from her beloved homeland.” * Juliet Takes a Breath by Gabby Rivera: “Juliet Milagros Palante is leaving the Bronx and headed to Portland, Oregon. She just came out to her family and isn’t sure if her mom will ever speak to her again. But Juliet has a plan, sort of, one that’s going to help her figure out this whole “Puerto Rican lesbian” thing. She’s interning with the author of her favorite book: Harlowe Brisbane, the ultimate authority on feminism, women’s bodies, and other gay-sounding stuff. Will Juliet be able to figure out her life over the course of one magical summer? Is that even possible? Or is she running away from all the problems that seem too big to handle?” * Bitch Planet, Volume 1: Extraordinary Machine by Kelly Sue DeConnick and Valentine De Landro: “In a future just a few years down the road in the wrong direction, a womans failure to comply with her patriarchal overlords will result in exile to the meanest penal planet in the galaxy. When the newest crop of fresh femmes arrive, can they work together to stay alive or will hidden agendas, crooked guards, and the deadliest sport on (or off!) Earth take them to their maker?” A Girl’s Guide to Taking Over the World: Writings from the Zine Revolution by Karen Green: “On the forefront of this cut-and-paste revolution have been those zines made specifically by and for young women. The words and images that have come to define many young womens lives have long been overlooked and under appreciated. A Girls Guide to Taking Over the World exists because these voices have refused to be silenced.” Girls to the Front: The True Story of the Riot Grrrl Revolution by Sara Marcus: “[This] is the epic, definitive history of the Riot Grrrl movementâ€"the radical feminist punk uprising that exploded into the public eye in the 1990s, altering America’s gender landscape forever. Author Sara Marcus, a music and politics writer for Time Out New York, Slate.com, Pos, and Heeb magazine, interweaves research, interviews, and her own memories as a Riot Grrrl front-liner. Her passionate, sophisticated narrative brilliantly conveys the story of punk bands like Bikini Kill, Bratmobile, Heavens to Betsyâ€"as well as successors like Sleater-Kinney, Partyline, and Kathleen Hanna’s Le Tigreâ€"and their effect on today’s culture.” Mamaphonic: Balancing Motherhood and Other Creative Acts by Bee Lavender: “Do you have a toddler seat strapped in the back of the tour van? Do you write poetry while the baby naps? Have you discovered that becoming a mother has changed not only your daily life but the content of your creative work? Mamaphonic is an anthology about mothering and the creative process. The book includes confessions and conversations about the true, exhilarating, entertaining, and difficult aspects of remaining creative while raising kids. It’s a smart, sexy, alternately funny and heartbreaking look at balancing art and motherhood, told in the artists’ own words.” Rookie Yearbook One (or any, really) by Tavi Gevinson: “…we explore breakups, love, feminism, street harassment, being happy, being sad, and other life-related topics.” The Riot Grrrl Collection by Lisa Darms: “For the past two decades, young women (and men) have found their way to feminism through Riot Grrrl. Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the zine and music culture of the Riot Grrrl movement empowered young women across the country to speak out against sexism and oppression, creating a powerful new force of liberation and unity within and outside of the womens movement. While feminist bands like Bikini Kill and Bratmobile fought for their place in a male-dominated punk scene, their members and fans developed an extensive DIY network of activism and support. The Riot Grrrl Collection reproduces a sampling of the original zines, posters, and printed matter for the first time since their initial distribution in the 1980s and 90s, and includes an original essay by Johanna Fateman and an introduction by Lisa Darms.” The Big Feminist But: Comics about Women, Men, and the Ifs, ANDs BUTs of Feminism by Gabrielle Bell, Ulli Lust, Jeffrey Brown: A spot-on anthology of comics and writers tackling feminism: what it means to be a feminist, where we are with feminism, and all the BUTs â€" “I’m not a feminist, BUTTTTT…” Redefining Realness: My Path to Womanhood, Identity, Love, So Much More by Janet Mock: “With unflinching honesty and moving prose, Janet Mock relays her experiences of growing up young, multiracial, poor, and trans in America, offering readers accessible language while imparting vital insight about the unique challenges and vulnerabilities of a marginalized and misunderstood population.” * All Our Pretty Songs by Sarah McCarry: In the lush and magical Pacific Northwest live two best friends who grew up like sisters: charismatic, mercurial, and beautiful Aurora, and the devoted, watchful narrator. Each of them is incomplete without the other. But their unbreakable bond is challenged when a mysterious and gifted musician named Jack comes between them. Suddenly, each girl must decide what matters most: friendship, or love. What both girls dont know is that the stakes are even higher than either of them could have imagined. Theyre not the only ones who have noticed Jacks gift; his music has awakened an ancient evil?and a world both above and below which may not be mythical at all. * Princeless: Save Yourself by Jeremy Whitley: Adrienne Ashe never wanted to be a princess. She hates fancy dinners, is uncomfortable in lavish dresses, and has never wanted to wait on someone else to save her. However, on the night of her 16th-birthday, her parents, the King and Queen, locked her away in a tower guarded by a dragon to await the rescue of some handsome prince. Now Adrienne has decided to take matters into her own hands! * The Diary of a Teenage Girl (Revised Edition): An Account in Words and Pictures by Phoebe Gloeckner: “After losing her virginity to her mothers boyfriend, Minnie pursues a string of sexual encounters (with both boys and girls) while experimenting with drugs and developing her talents as an artist. Unsupervised and unguided by her aloof and narcissistic mother, Minnie plunges into a defenseless, yet fearless adolescence. While set in the libertine atmosphere of 1970s San Francisco, Minnies journey to understand herself and her world is universal: this is the story of a young woman troubled by the discontinuity between what she thinks and feels and what she observes in those around her.” Notorious RBG: The Life and Times of Ruth Bader Ginsburg by Irin Carmon and Shana Knizhik: “An original hybrid of reported narrative, annotated dissents, rare archival photos and documents, and illustrations, the book tells a never-before-told story of an unusual and transformative woman who transcends generational divides.” ** A Girl Walks Into a Book: What the Brontes Taught Me about Life, Love, and Women’s Work by Miranda K. Pennington: “[This book] is a candid and emotional love affair that braids criticism, biography and literature into a quest that helps us understand the place of literature in our lives; how it affects and inspires us.” ** One Day We’ll All Be Dead and None of this Will Matter: Essays by Scaachi Koul: “Alongside these personal stories are pointed observations about life as a woman of color: where every aspect of her appearance is open for critique, derision, or outright scorn; where strict gender rules bind in both Western and Indian cultures, leaving little room for a woman not solely focused on marriage and children to have a career (and a life) for herself.” Homeward Bound by Emily Matchar: “A generation of smart, highly educated young people are spending their time knitting, canning jam, baking cupcakes, gardening, and more (and blogging about it, of course), embracing the labor-intensive domestic tasks their mothers and grandmothers eagerly shrugged off….This groundbreaking reporting on the New Domesticity is guaranteed to transform our notions of women in today’s society and add a new layer to the ongoing discussion of whether women canâ€"or shouldâ€"have it all.” The First Collection of Criticism by a Living Female Rock Critic by Jessica Hopper: “Through this vast range of album reviews, essays, columns, interviews, and oral histories, Hopper chronicles what it is to be truly obsessed with music. The pieces in The First Collection send us digging deep into our record collections, searching to re-hear what we loved and hated, makes us reconsider the art, trash, and politics Hopper illuminates, helping us to make sense of what matters to us most.” Lessons in Taxidermy by Bee Lavender: “This autobiographical tale is stark and resolved, but strangely euphoric, tying together moments and memories into a frantic, delicate, and often transcendently funny account of anguish and confusion, pain and poverty, isolation and illusion. While staying conscious of the particulars of her circumstances, Lavender frames her life in the context of history, traveling, landscape, and freak show culture. “ Please Kill Me: The Uncensored Oral History of Punk by Legs McNeil and Gillian McCain: “[This is] the definitive oral history of the most nihilistic of all pop movements. Iggy Pop, Richard Hell, the Ramones, and scores of other punk figures lend their voices to this decisive account of that explosive era.” Boss Babes: A Coloring and Activity Book for Grown-Ups by Michelle Volansky: “A playful and play-filled ode to strong women, BOSS BABES is a coloring and activity book filled with fun facts and whimsical black-and-white line drawings celebrating female powerhouses from Beyonce to Ruth Bader Ginsburg, Dolly Parton to Malala, Tina Fey to Serena Williams.” Manifesta: Young Women, Feminism, and the Future by Jennifer Baumgardner and Amy Richards: “In the year 2000, girl culture was clearly ascendant. From Lilith Fair to Buffy the Vampire Slayer to the WNBA, it seemed that female pride was the order of the day. Yet feminism was also at a crossroads; girl power feminists were obsessed with personal empowerment at the expense of politics, while political institutions such as Ms. and NOW had lost their ability to speak to a new generation. In Manifesta, Jennifer Baumgardner and Amy Richards brilliantly revealed the snags in each feminist hub, all the while proving that these snags had not imperiled the future of the feminist cause.” Also In This Story Stream 7 Must-Read Books Coming Out This Fall 100 Must-Read Books About #carefreeblackfolks View all must-reads posts-->

Sunday, May 24, 2020

The Issue Of Teen Pregnancy - 1391 Words

According to statistics one million girls get pregnant each year. At least sixty percent of pregnancies result in births, thirty percent are abortions, and fifteen percent are miscarriages. About twenty-five percent of teen moms have another child within twenty four months of their first kid. Teen pregnancy is a problem in many parts of the world. But the United States has the highest teen pregnancy rate among any other country. Only about fifty percent of teen moms actually graduate high school, and less than two percent of teen moms earn a college degree by the age of thirty. Statistics also show that most teenagers that have a child are at a higher risk of behavioral, social, and physical problems. With all these statistics, most would†¦show more content†¦My dad picked me up from school and then we were headed to my mom s to get Stephanie. When we got there she did not want to go with my dad. My dad was not leaving until she came with us. She wouldn t come out of my mom s house so he called the police and they talked to her. My dad was very angry, Stephanie was very nervous and I was in the car wondering what was going on that it was taking this long for her to come out. They talked her into finally coming outside and at least talk to him. So when she came outside she had her ultrasounds in her hands and took ahold of my dad s hands, that s when he found out he was going to be a grandpa. She finally got in the car and when we got to my dad s house, she told me I was going to be an aunt. I was so excited about my sister having a baby and that I finally found out why she would hide in my mom’s room all the time! After time went by she was still going to school and determined she was going to finish school early just to prove everyone wrong. She lost most of her friends but she didn t let that faze her, as long as she met her goals in life. After that she focused on her and what needed to be done. The day she found out the gender, she let me leave school early to go with her to her doctor s appointment. When we got there we checked in and waited a few minutes before they called her name. Talking about what they will do when she gets back in the room. When we went back sheShow MoreRelatedThe Issue Of Teen Pregnancy1722 Words   |  7 Pagesestablishing her equality and worth in the eyes of her male counterpart. But although she may have broken many barriers and achieved great accomplishments, there are still some deep rooted issues which continue to affect her in a most insidious manner. One of the issues that women face in the United States is teen pregnancy which is still an enormous problem that needs to be addressed. The rates are still higher than they were only a decade ago. Becoming a parent permanently and profoundly alters a teenagerRead MoreThe Issue of Teen Pregnancy1458 Words   |  6 PagesTeen pregnancy The issue of teen pregnancy is a fact that can no longer be overlooked in terms of its magnitude in the society today. Despite the widespread sex education and peer counseling and guidance, there still is a wide prevalence of teen pregnancy, a challenge that does not only affect the teenagers but the society at large. Effects of teen pregnancy The aspect of teen pregnancy is one of the most challenging situations to be in as a young person as it could interrupt flow of schoolRead MoreThe Issue Of Teen Pregnancy Essay1436 Words   |  6 Pagesled to fewer teen births. It is thought to be that when teens tune into the show, they learn to practice safer sex. â€Å"16 and Pregnant† was named one of the best ways to campaign about the issue of teen pregnancy. The show was a way to attack the issue of teen pregnancy head on. Comparing to all fully developed countries, the U.S, has the highest rates of teen pregnancy. This was seen as a major problem to many that was aware of the problem. Even though the number of teen pregnancies was high, thereRead MoreThe Issue Of Teen Pregnancy1082 Words   |  5 Pagesfifteen. Statistics say that seven out of ten girls that get pregnant while still in high school will drop out. Seventy percent of girls will drop out of school. In 2013, 273,105 babies were born to girls aged 15-19. That’s a terrifying number, but teen pregnancy rates are lower than ever before. Being part of the thirty percent that made it through high school, I will say one thing: the reason I made it through all four years (that’s right, there was never a moment of my high school career in which IRead MoreThe Issue Of Teen Pregnancy1739 Words   |  7 Pagesbaby. In developed countries like the United States of America, Great Britain, Canada, France and Sweden all deal with teenage pregnancies. The only difference between these countries is the percentage of teen pregnancy each country has. Each country has similar methods of birth control, and the only difference is the rate between all five developed countries. Teen pregnancy is a major concern in today’s society ; there are many limiting reasons that do not allow people to access contraceptives, andRead MoreTeen Pregnancy : A Social Issue1371 Words   |  6 PagesTeen pregnancy is a very controversial social issue and the vast majority of Americans consider the outrageous rate of teen pregnancies a severe issue, certainly a problematic occurrence that is believed to be a moral decline in our country. Teenagers are physiologically capable of reproducing but not emotionally or financially prepared to be parents at such a tender age. Through various research studies a plethora of determinants has pin pointed teens unprecedented pregnancies. One cause of thisRead MoreTeen Pregnancy Is A Serious Issue982 Words   |  4 PagesThe social issue I will be addressing throughout my paper is teen pregnancy. The term teen pregnancy is referring to teens between the ages of 13-19 who become pregnant (Akella Jordan, 2015). Despite the fact that teen pregnancy rates have dropped within the past twen ty years, United States continues to have the highest rates of teen pregnancy in comparison to all other developed nations ( Akella Jordan, 2015). Teen pregnancy is a serious issue for a multiplicity of reasons. A teenager who hasRead MoreControlling the Issue of Teen Pregnancy635 Words   |  3 PagesTeen pregnancy is a problem that is plaguing the U.S., as well as other countries. This social problem affects teens of every ethnic and economic background. Before we discuss what some organizations are doing to help, let’s look at some of statistics surrounding teen pregnancy. Even though this is a serious problem, the good news is that teen birth rates in the United States have dropped almost continuously since the early 1990s — including a six percent drop from 2011 to 2012 — further decreasingRead MoreThe Social Issue Regarding Teen Pregnancy756 Words   |  4 PagesPurpose: The social issue regarding teen pregnancy is still very prevalent in the United States. Teen pregnancy is a huge issue because it is known to have a negative effect on the mother and most importantly the child. An initial study was conducted on two teenage mothers prior to having their child. The researcher wanted to further investigate the same population for a better understanding of teenage motherhood. The purpose of case study was to examine the perceptions of two adolescent mothersRead MoreTeen Pregnancy Is Becoming More Of An Issue992 Words   |  4 PagesTeen pregnancy is becoming more of an issue in young Americans nowadays as we are the generation starting this we must attempt to slow down the process. Pregnancy is the period from conception to birth. After the egg is fertilized by a sperm and then implanted in the lining of the uterus later developing into a placenta and embryo to become a fetus and grow (the free dictionary). The miracle of life; teens seem to be experiencing this way to early on in life; Statistics show that in 2013 a total

Wednesday, May 13, 2020

Fashion Institute of Technology Acceptance Rate, SAT/ACT Scores, GPA.

The Fashion Institute of Technology is a public college with an acceptance rate of 53%. Part of the State University of New York System (SUNY), FIT is unique among public universities because of its specialized focus on art, design, fashion, business, and communications. The urban campus is located on West 27th Street in Manhattans fashion district in the Chelsea neighborhood. Students can choose from over 40 majors and eight certificate programs. At the undergraduate level, fashion merchandising and fashion design are popular majors. The curriculum has a liberal arts core, but students can also expect significant hands-on, real-world educational experiences. FIT academics are supported by a 15-to-1  student/faculty ratio. The college has four residence halls, although many students live off campus. Student life centers on the schools location in one of the worlds most vibrant cities, but the college also has numerous clubs, organizations, and activities. In athletics, the FIT Tigers compete in six womens, 4 mens, and two coed sports. Considering applying to the Fashion Institute of Technology? Here are the admissions statistics you should know. Acceptance Rate During the 2017-18 admissions cycle, the Fashion Institute of Technology had an acceptance rate of 53%. This means that for every 100 students who applied, 53 students were admitted, making FITs admissions process competitive. Admissions Statistics Number of Applicants 4,507 Percent Admitted 53% Percent Admitted Who Enrolled (Yield) 57% SAT and ACT Scores and Requirements The Fashion Institute of Technology does not require SAT or ACT test scores for most applicants. However, FIT does utilize SAT and ACT scores for course placement as well as to evaluate applicants to the Presidential Scholars Program. Although not required for admission, applicants to FIT must include the essay portion of the SAT or ACT for placement in English classes. Applicants who have not taken the SAT or ACT will be required to take placement exams at FIT prior to enrollment. GPA The Fashion Institute of Technology reports that most successful applicants have a B or better average in high school. Self-Reported GPA/SAT/ACT Graph Fashion Institute of Technology Applicants Self-Reported GPA/SAT/ACT Graph. Data courtesy of Cappex. The admissions data in the graph is self-reported by applicants to the Fashion Institute of Technology. GPAs are unweighted. Find out how you compare to accepted students, see the real-time graph, and calculate your chances of getting in  with a free Cappex account. Admissions Chances The Fashion Institute of Technology, which accepts just over 50% of applicants, has a selective admissions process. Most successful applicants have a B or better grade point average in rigorous high school courses. However, FIT has a  holistic admissions process involving other factors beyond grades. The admissions folks like to see a college preparatory curriculum that includes AP, IB, Honors, Regents, and Dual-Enrollment courses. A strong application essay  and  impressive portfolio for applicants to Art and Design majors can help make up for grades that are a little less than ideal. FIT does not accept letters of recommendation, nor do they do admissions interviews. In the graph above, the blue and green dots represent students who gained admission. Youll notice that SAT and ACT scores vary considerably. This is because FIT uses SAT and ACT scores for placement purposes and does not include the scores in the admissions process. Grades, however, do matter for all applicants, and youll notice that most admitted students had high school GPAs in the B range or higher. A sizable percentage of accepted students had grades in the A range. If You Like FIT, You May Also Like These Schools Applicants to the Fashion Institute of Technology clearly have an interest in the arts and tend to apply to other highly regarded schools of art and design. Popular choices include Rhode Island School of Design, Savannah College of Art and Design, and New York University. All admissions data has been source from the National Center for Education Statistics and Fashion Institute of Technology Undergraduate Admissions Office.

Wednesday, May 6, 2020

Non violent movement Free Essays

There is a wide-spread conception in the theory of nation-building that violence is an ultimate way to express disagreement and overcome injustice as well as fight a dictatorship. But the last century has proven the fallaciousness of this conception. Mahatma Gandhi and Martin Luther King Jr. We will write a custom essay sample on Non violent movement or any similar topic only for you Order Now , Nelson Mandela and Dalai Lama and many others have shown that nonviolence can be more powerful force in defeating oppressive rulers and laws. Their lives and actions are examples how oppressors or unjust legislation may be defied by the force of word and soul rather than by the force of weapons. Gene Sharp summarizes the effectiveness of nonviolent actions with such words: â€Å"nonviolent action is possible, and is capable of wielding great power even against ruthless rulers and military regimes, because it attacks the most vulnerable characteristic of all hierarchical institutions and governments: dependence on the governed† (p. 18). Nonviolent action is an application of a very simple truth: people do not always do what they are told to do, and sometimes they do that which has been forbidden. When people refuse their cooperation, withhold their help, and persist in their disobedience and defiance, they do this to deny their opponents the basic human assistance and cooperation which any government or hierarchical system requires. If they do this collectively through their established independent social institutions or newly improvised groupings for a sufficient period of time, the power of that government will weaken and potentially dissolve. The world history has witnessed the cases when nonviolent means have been chosen over violence for religious or ethical reasons. In some cases, even when pragmatic political considerations were dominant in the choice of nonviolent struggle, the movement has taken on certain religious or ethical overtones. This was the case in the campaigns of the Indian National Congress for independence from Britain in the 1920s, 1930s, and 1940s. Those struggles, often under Gandhi’s leadership, and also the civil rights campaigns in the 1950s and 1960s in the Deep South of the United States, under the leadership of Martin Luther King, Jr., are very important. Mohandas Karamchand  Gandhi, better known as Mahatma Gandhi, is the first name that comes to mind when one speaks of nonviolence in the 20th century. His charisma and his action not only had a profound effect on India’s modern history, but also provided firm basis for all future nonviolent struggles in the world. Gandhi’s political philosophy revolved around three key concepts: satyagraha (non-violence), sawaraj (home rule), and sarvodaya (welfare of all). Whereas satyagraha was essentially a tactic of achieving political ends by non-violent means, sawaraj and sarvodaya sought to encourage ideas of individual and collective improvement and regeneration. Such regeneration, Gandhi insisted, was necessary if India was to rediscover her enduring historical and religious self and throw off British rule. (Andrews, 1949) Perhaps Gandhi’s best-known act of civil disobedience, known as the second satyagraha (‘hold fast to the truth’) was Salt March that was taking place in 1930 from  12 March to 6 April. It expressed increasing frustration by Congress at its own impotence and, specifically, the British refusal to grant Dominion status to India. Gandhi chose the hated salt tax as the object of his campaign. At the time, the Indian government maintained a monopoly over the manufacture of salt, an essential basic commodity which was thus heavily taxed. Those using their own salt, e.g. if they were living close to the sea, were subject to heavy punishment. The 61-year-old Mahatma started the 240-mile-long march from Sabarmati to the coastal town of Dandi together with seventy-eight of his followers. He was joined by thousands along the way, in a march that received vast international and national attention. When the protesters marched on to a government salt depot, he was arrested, as were between 60,000 and 90,000 other Indians in subsequent months, as well as the entire Congress leadership. Gandhi was released and called off the campaign in March 1931 following the Gandhi–Irwin Pact, which allowed Gandhi to participate in the second Round Table Conference, and symbolically permitted the production of salt for domestic consumption. From the 1920s to early 1940s, he led a series of passive resistance campaigns in pursuit of Swaraj, which redefined the character of Indian nationalism. He sought tolerance between Hindus and Muslims and the eradication of caste untouchability. In January 1948 he was assassinated by a Hindu fanatic for his pro-Muslim sympathies. Gandhi’s insistence that means were more important than the ends distinguished him from other great political leaders of the twentieth century. Since his death Gandhi has become the source of inspiration for non-violent political movements such as the Civil Rights Movement in the USA. Desmond Tutu in the article A Force More Powerful a Century of Nonviolent Conflict rightfully points out: â€Å"The leaders who opted for nonviolent weapons often learned from resistance movements of the past. Indian nationalist leader Mohandas Gandhi was inspired by the Russian Revolution of 1905. The Rev. Martin Luther King, Jr. and other African American leaders traveled to India to study Gandhi’s tactics.† (Tutu, 2000) Non-cooperation was a major tactic employed by Gandhi when he felt the state had become immoral or unjust. In the King movement, such action was called boycott, the most effective nonviolent tactic employed in the movement to abolish discrimination in public transportation in Montgomery, Alabama. The justification for such action lies in the fact that rejection is as much of an action as acceptance. Thus, King, like Gandhi, while emphasizing the necessity of courage, utilized the boycott to achieve rejection of unjust laws regulating public transportation and public lunch counters. The net effect of the various expressions of the nonviolent protest, especially the boycott, strike, demonstration and jail, was to draw one’s opponent off balance, hoping thereby to change his mind. (Smith, p.58) Nonviolence, therefore, was not a sign of weakness or of a lack of courage. Quite the contrary, King believed that only the strong and courageous person could be nonviolent. He advised persons not to get involved in the civil rights struggle unless they had the strength and the courage to stand before people full of hate and to break the cycle of violence by refusing to retaliate. King just as Gandhi emphasized the need to prepare for action. The Civil Rights Movement initiated by Martin Luther King, Jr. succeeded in mobilizing massive nonviolent direct action. Innovative tactics included economic boycotts, beginning with the yearlong boycott of a bus company in Montgomery, Alabama, begun in December 1955 and led by Martin Luther King, Jr.; sit-in demonstrations; and mass marches, including a massive mobilization of whites and blacks in the August 1963 March on Washington, which culminated in King’s â€Å"I have a dream† speech, and protest marches led by King that met with police violence in Selma, Alabama, in January 1965. The goal of these protests was to overthrow the entire system of racial segregation and to empower African Americans by seizing the franchise. Participants of the Civil Rights Movement were often beaten and brutalized by southern law enforcement officials, and thousands were arrested and jailed for their protest activities. Some leaders and participants were killed. Nevertheless, an endless stream of highly visible confrontations in the streets, which contrasted the brutality and the inhumanity of the white segregationists with the dignity and resolve of black protesters, made the cause of black civil rights the major issue in the United States for over a decade during the 1950s and 1960s. The nation and its leaders were forced to decide publicly whether to grant African Americans their citizenship rights or to side with white segregationists who advocated racial superiority and the undemocratic subjugation of black people. In conclusion it would be relevant to provide a brief revision of the similarity and differences the detection of which was purpose of this analysis. The parallels between Gandhi and Martin Luther King are self-evident. This preliminary look at Gandhi and King’s activity gives us the understanding that nonviolent movement cannot be limited by time frames or specific location. It rather needs a leader with strong character, resilience and ability to persuade people. The two leaders preferred nonviolence at a time when their people were being oppressed. Both struggled against the yoke of white oppression. Like Gandhi, King valued the power of nonviolent political action in keeping with the spirit of Gandhi’s satyagraha. King’s role in organizing the Montgomery bus boycott enabled him to emerge as the creator of a strategy of civil disobedience that earned for the civil-rights movement in the United States unprecedented media coverage, new forms of public recognitio n, and greater access to political power. Though both agreed that nonviolence is successful tactics on condition that every individual is committed to truth and justice, Gandhi tended to lay stress upon the necessity of personal suffering when participating in nonviolent movement, an attitude that to some extent was less aggressive than King’s emphasis on self-sacrifice. Moreover, Gandhi claimed that to achieve the goals through nonviolence one needs patience and non-cooperation and King believed that it is a certain degree of confrontation that is necessary to accomplish change. One more difference between Gandhi and King lies in the paradigm of their activity. While Gandhi was concerned about social injustice suffered by Indian people, King’s concerns bore upon racial discrimination of African Americans in the USA. And probably the most striking difference is the result of their struggle. While Martin Luther King’s ideas after his death were followed through by his followers and found an echo in common American’s heart, Gandhi was criticized that his tactics unnecessarily delayed the departure of the British, precipitated the partition of India, and led to the Hinduization of Congress because of his over-emphasis on religion. Few of Gandhi’s ideas were put into practice by independent India. While both of them deserve respect and admiration, it is possible to recognize that their approaches to the practice of nonviolence later grew strong one as opposition, the other as protest. Gandhi and King help us to believe that peaceful resolution of a conflict will live up to its promise. References: Andrews, C. F. Mahatma Gandhi’s Ideas.   London: Allen Unwin, 1949 McCarthy, R. and Sharp, G., eds., Nonviolent Action: A Research Guide. New York, 1997 Sharp, G. The Role of Power in Nonviolent Struggle. Monograph Series, No. 3. The Albert Einstein Institution, 1990 Smith, Kenneth and Zepp, Ira. Search for the Beloved Community: The Thinking of Martin Luther King. Valley Forge: Judson Press, 1974. Tutu, Desmond. â€Å"A Force More Powerful a Century of Nonviolent Conflict†. Social Education. (64):5, 2000 How to cite Non violent movement, Essay examples

Monday, May 4, 2020

Why I Hate Britney free essay sample

Why I hate Britney was an article written by the, Nisey Williams at the time when she wrote this article, Nisey was a senior at the University of Austin. According to Miss Nisey Williams, Britney Spears in early 2000s were the most extremely or shockingly bad influence on the young girls as an icon or idol. More over Miss Nisey believes that in 2002 Britney Spears was the most famous and influential character or artist, however she accept this as a true fact that, Britney was famous because of her shabby, dirty, and vulgar clothes. Also in the article Miss Nisey compared Britney with another singer of that era Avril Lavigne.According to Miss Nisey Williams, Avril Lavigne was more appropriate and better role model or fashion icon for the young girls, because Avril lyrics of songs were more ethical and her clothes were also more conservative side. In fact Miss Williams believes that the young girls who idolize, Britney Spears and listen to her songs will have a very positive sign of getting involved in sexually activities in younger age. We will write a custom essay sample on Why I Hate Britney or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Miss Williams hoped in her article that one day, pop culture remove the sex influential artists, from the main screen and culture will stop following celebrities with similar morals to Britney Spears.Nisey Williams, refused to bring the child into the world, because of the vulgarity in the pop culture we have and the way pop portray the sex in front of teens. She is actually, confused how it is going to be in future after 15 years when her daughter will be reaching her womanhood. And all for this fear, Nisey blame Britney Spears for that. Although there are many artists and singers who could carry blame too but, in Miss Williams opinion Britney is on top of the list that damaged the ethical perception of pop culture in young teens.However most people also, criticize Britney on her claim of an Icon of good body and shape, this claim bring depression to the girls who do not have same kind of body basically those girls lose confidence in public. Miss Nisey also criticized the clothing stores, cause these stores also following the trends of the pop stars, which are somehow sex symbol for the young teens. People who don’t agree with Miss Nisey, often argue that, its parents responsibility to keep an eye on their children, what they are doing or following.But in order to defend Nisey argument, she gave the example of her friend One of m y co-workers said she had such a difficult time school shopping for her thirteen-year-old daughter that she ended up taking her to Academy for wind suits, free-flowing T-Shirts, and soccer shorts†. In contrast Miss Williams mention the Avril Lavigne achievements in pop industry with the ethical and less vulgar style of clothes and lyrics of songs both. I agree with Miss Nisey Williams, in fact she brought up the great argument.Of course Pop culture has great influence on the youth all over the world. Every teenage girl want to see her in Britney or some other artist body, not only body but act, clothes and etc. There is no doubt that pop artists show the great amount intensity of expression of body image. This is something many young and teenage girls struggle with and develops some dangerous diseases, such as anorexia or bulimia. Also I totally agreed with this fact too that parents can’t keep the hawk eye on their children, I think in my opinion we all should act responsibly and ethically.